Somewhere in the middle, I drew a line.
The Sol LeWitt wall drawing is generously loaned by the LeWitt family and Estate of Sol LeWitt, Chester, Connecticut, USA
Sol LeWitt, Wall Drawing #123A, 2026
Acrylic paint, crayon
As part of ‘The Concentric Influences of Sol LeWitt: Foundations, Pivots and Place’ at RMIT Gallery.
RMIT Gallery | 344 Swanston St Melbourne
05 Jun 2026 - 29 Aug 2026
Irene Barberis (AUS), John Hogan (USA), Fransje Killaars (NLD), Janet Passehl (USA), Wilma Tabacco (AUS); with a group of invited contemporary Australian artists: Jonas Balsaitis, Emma Coulter, Sarah Duyshart, Robert Hunter, Robin Kingston, Simon Klose, Sarah Lindsay, Jordan Mitchell-Fletcher, Kerrie Poliness, Antonia Sellbach, Jacqueline Stojanović, David Thomas and Anne Scott Wilson.
Curated by Irene Barberis with Helen Rayment.
This exhibition is presented by RMIT University at RMIT Gallery, in collaboration with Metasenta.
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‘The Concentric Influences of Sol LeWitt: Foundations, Pivots and Place’ positions Australia at the centre of an ambitious global dialogue on conceptual art, influence and the circulation of ideas. Instigated and directed by Dr Irene Barberis, the project demonstrates how Australian scholarship and curatorial innovation can actively shape international discourse surrounding one of the most influential artists of the twentieth century.
This exhibition includes ‘Dance: Vertical View’, a collaborative response to the original work ‘Dance, 1979’ by Sol LeWitt, Phillip Glass and Lucinda Childs.
Choreography, Production & Video Co-direction: Anne Scott Wilson
Sound & Music Composition: Sarah Duyshart
Architectonic Gridwork & Video Co-direction: Irene Barberis
Dancers: M Collective @m.collective.dance
Supported by @deakinuniversity
